Using CRM Integrations to Align Sales and Marketing Efforts

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Similarly, for the January 2015 attacks, 5 cameras installed in the new Paris courthouse made it possible to archive everyone's words. But without reverse shots. It is impossible to know the reaction of the accused to the words that accuse him, to the great displeasure of historian Christian Delage, for example, who deplores this absence. It alters the truth of the moment, he says in essence. As we can see, there are many constraints , among others, neither live nor filming described as subjective. The image of justice rests on the shelves of the curators of precious things . Little exposed to the greatest number. Accessible certainly, but accompanied by such conditions that it is also a recluse. In fact, this also became the fate of its companion, the court reporter. Over the decades, the time for the courtroom narrative has continued to shrink .



From this point of view, the commentary gambling data philippines of Paul Lefevre , a journalist specializing in courtrooms at Antenne 2, had something visionary about it. At the opening of the Barbie trial, at the 1 p.m. news, he mischievously pointed out that the concourse of the Lyon courthouse had been set up to accommodate the 800 or so journalists present. All this because the promised judicial city had still not been built. In fact, without knowing it, the journalist was also talking a little about himself. At the time when the image of the trial was reaching its peak, it was in reality the beginning of a twilight that it was experiencing. The trial was losing its force of truth. The dramatic investigation that is its effective definition was giving way. And even if the trial remains this constitutive meeting of a democratic society, this image has in some way become confined, becoming the restricted prerogative of certain functions, professions, researchers… but no longer of the majority. Another image gradually emerged.





An image that cannot be reduced to a place, or a man. Because it is abstract . It is a problem. They are thus the problems, conceptual, terribly unfilmable. The complete opposite of a judicial enclosure, with its characters and its history, its reversals, its verdicts (the word has also passed into common language to translate the importance of decisive moments). "Security" is this all-encompassing problem. It has no story with a beginning, middle and end. No hero whose face would give any clue. Of course, it knows various episodes, as many categories of trials as terrorism, delinquency, "sensitive" neighborhoods..