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The reporter is said to have added the projectiles to dramatize the photo. A reporter who, moreover, did not show any corpses. His battlefield had no victims. It would be quite the opposite for one of Fenton's students, Felice Beato . He did not hesitate to "expose" the bodies of the soldiers. The word is right, because in India in 1856 or in China in 1860, where he accompanied the Franco-British expeditionary contingent, Beato arranged the victims and weapons on the ground like a painter composes his canvas.
Aesthetics preferred to truthfulness, the beginning of a debate that nigeria phone number library still agitates information professionals today. But the essential is now in place, professional witnesses, witness the war scenes, and report on them more or less faithfully. The invention of the cameraman reporter Frederic Villiers He fought many wars, camera at the front, as A. Jaulmes says. Frederic Villiers is this British painter, who opened the way to the profession of reporter of images on the ground of military confrontations. During the war which opposed Turkey to Greece in 1897, during the Russo-Japanese conflict, in Sudan also against the dervishes, Villiers moved as best he could his bulky camera to film the battlefield.
A first. Not without mishap. It was necessary to turn the crank of the machine with the regularity of a metronome at the worst moments of violence. And then, it happened that the camera placed on feet did not resist the jolts and other crashes of weapons, especially when it was perched on a boat… With the First World War, war reporting was written, photographed, and therefore also filmed. The big screen was a great success. A dozen operators struggled to capture a few sequences of an industrial horror, devouring millions of lives.
Aesthetics preferred to truthfulness, the beginning of a debate that nigeria phone number library still agitates information professionals today. But the essential is now in place, professional witnesses, witness the war scenes, and report on them more or less faithfully. The invention of the cameraman reporter Frederic Villiers He fought many wars, camera at the front, as A. Jaulmes says. Frederic Villiers is this British painter, who opened the way to the profession of reporter of images on the ground of military confrontations. During the war which opposed Turkey to Greece in 1897, during the Russo-Japanese conflict, in Sudan also against the dervishes, Villiers moved as best he could his bulky camera to film the battlefield.
A first. Not without mishap. It was necessary to turn the crank of the machine with the regularity of a metronome at the worst moments of violence. And then, it happened that the camera placed on feet did not resist the jolts and other crashes of weapons, especially when it was perched on a boat… With the First World War, war reporting was written, photographed, and therefore also filmed. The big screen was a great success. A dozen operators struggled to capture a few sequences of an industrial horror, devouring millions of lives.